Body that Stands explores resistance through the lens of resilience. On a stage embedded with hundreds of wooden bricks, the dancers inhabit a continuous loop of destruction and construction. In the shifting landscape, images surface — fragments that echo ruins, combat, and aftermaths — evoking scenes that inevitably recall wars and conflicts. While dealing with the conditions of ruins, the performers demonstrate the survival aspect inherent in the act of resistance.
Throughout the 60-minute piece, the three dancers in ‘Body that stands’ engage in simple acts of physical resistance — toward one another and the space itself. As they explore a range of responses to encounters with opposing forces, they experience moments of conflict, support, frustration, pain, and fantasy. Living through these brief fragments of reality, they constantly redefine their identities and states of being. As the piece unfolds, the three performers shape their sense of autonomy, causing the entire landscape to metamorphose. They continually reshape the meticulous wooden bricks scenography, using it to set boundaries, mark territories and convey messages. The experimental playground then transforms into a battlefield, a graveyard, an urban landscape, and more. Building, deconstructing, destroying, and reassembling, the performers examine the endurance of the human body in relation to that of inanimate materials, and the capacities of one body in relation to another. Body that Stands observes acts of resistance and its consequences, not only between individuals but also between people and where they stand.

Duration: 58 minutes, no break

Content note

Can evoke associations with conflicts, wars, and their aftermaths.

06.11.2025 20:00

Theaterlabor

Concept, Choreography & Artistic Direction: Smadar Goshen
Co-creation & Performance: Bar Gonen, Cordelia Eleonore Lange, Zuki RingArt
Dramaturgy: Maya Weinberg
Original Music: Leonard Küßner and Vincent Wikström
Oud, Violin, Saz recordings: Idan Elmalem.
Additional Music: Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo: Béla Bartók
Costume & Stage Design: Lilo Ming
Technical Direction & Light Design: Nadja Weber
Videography: Aleksej Nutz
Photography: Dominique Brewing, Zoia Domaskina
Graphic Design: Evelyn Fortmeier
Production & Finances: Christine Koschel
Production Assistance: Hannah Störzer
Communication: N.N.
Project Management & Distribution: Astrid Rostaing
Smadar Goshen is an Israeli choreographer, dancer, and teacher based in Stuttgart since 2019. A graduate of the Jerusalem Academy for Music and Dance, she is also certified in Gaga, Gyrotonic, and Gyrokinesis, with a strong focus on individual movement language and physical detail.
Her choreographic work has been presented internationally at festivals and venues such as Suzanne Dellal Centre (Tel Aviv), Machol Shalem Festival (Jerusalem), and DANCE WAVES (Cyprus). Since 2020, she has been creating and producing in Germany, with works including Peninsula-Flora, Hoomans, Grand Noir, Ken, and Body that Stands. She also choreographed Kamma for Gauthier Dance’s Dying Swans Project.
Smadar’s creations blend theatricality with deeply sensitive physical expression, often placing the audience close to the performers and exploring the balance between individuality and social belonging. Named one of tanz magazine’s “10 most promising dance pioneers” in 2023, she is currently part of the Réseau GRAND LUXE residency programme and receives multi-year support from the City of Stuttgart and the State of Baden- Württemberg.
Bar Gonen was born in 1994 in Tel Aviv. Began her professional career as a contemporary dancer in 2015 in Israel, working with choreographers Sharon Vazanna and Maya Brinner. At the same time, she studied the Ilan Lev Method (ILM) - a form of bodywork and movement therapy.
In 2019 she graduated from Performact (Torres Vedras, Portugal). Since then, Bar has been working as a freelance dancer based in Germany, collaborating with choreographers and theaters such as Smadar Goshen, Berliner Ensemble (with choreographer Ted Stoffer), Eva Baumann, Joachim Schloemer, Maura Morales, Cutty Shells and Felix Ruckert, among others.

In 2022 she co-created the duet “Acoustic Resonance” with circus artist Crispin Bade, which premiered at the CircusDanceFestival in Cologne. In 2023 she created her solo “Elusive Matter” which was presented in different formats in Stuttgart, and in 2025 the solo "Thinner Skin" performed by Seung Hwan Lee as part of Solo Choreo in Stuttgart.
Cordelia Eleonore Lange graduated from Codarts Rotterdam in 2008. She worked as a freelance dancer in Germany and the Netherlands, touring internationally with Gabriella Maiorino and Felix Landerer. She later joined Stadttheater Bielefeld and Staatstheater Oldenburg, collaborating with choreographers such as Gregor Zöllig, Guy Weizman & Roni Haver, Omar Rajeh, Iztok Kovač, Roberto Galvan, Ann Van den Broek, and Sharon Eyal. From 2013 to 2017, she was a member of the Inbal Pinto & Avshalom Pollak Dance Company, performing worldwide and co-creating four original works. She also studied fashion design at Shenkar College.
Now based in Berlin, she works as a freelance dancer and costume designer for artists like Nir de Volff, Ricardo Ambrozio, Chris Jäger, Constanza Macras, Helena Waldmann, Julia B. Laperrière, and Smadar Goshen. In addition, she creates independent works and is a certified therapist of the Ilan Lev Method.
Zuki RingArt is a medium-fluid artist coming from dance and performance. Born in Haifa in 1991. Holder of the ‘Studienstiftung des deutschen Volkes’ scholarship. Currently based in Berlin. He received his dance training at MASPA (2013–15, Ga’aton) and VIDP (2015–16, Jerusalem), and later completed the B.A. program ‘Dance, Context, Choreography’ at HZT – UDK Berlin (2019–22). Since 2015, Zuki has collaborated as a performer with various artists and choreographers, including Narges Kalhor, Moritz Majce, Anne-Lie Andre, Smadar Goshen, Iris Erez, Shlomit Fundaminsky, Uri Shafir, Anat Shamgar, Hila Ben-Ari, Anat Dreamer, and others. In 2020, he began working as a dramaturg, collaborating with Johanna Ryynänen on VIOLETTA, in analog (2025); with Or Askenazi on Moon (2023), And so, I have a relationship with the sun (2020); and with Rotem Weissman on AGADA (2022). Zuki’s first work, present | tense (2018), premiered at the From Jaffa to Agripas dance festival in Jerusalem and was later presented on other stages in Israel. His second work, Evening (2019), co-created with Carmel Ben-Asher, premiered at the Intimadance festival in Tel Aviv and was supported by a residency at Yasmeen Godder’s studio.
Since relocating to Berlin in 2019, Zuki has continued to develop his artistic practice as a creator, dramaturg, and performer—both in his own work and in collaboration with others.

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